Well, another five books have come and gone, so it’s time for my thoughts on the same. They run the gamut from experimental fiction to weird memoir and scientific history to gothic fantasy, so you can’t accuse me of being particularly genre-monogamous in the last little while, if that’s even a thing.
As is eternally the case, I’m behind on my book reviews. Way more behind than I’ve been in quite a while. This post is three times as long as the last one.
(TWENTY-FOUR BOOKS WHAT THE HELL MAN.)
I mean, I did get made permanent at my new job. I did go to Dark Mofo (aka Goth Schoolies), though this – depressingly – turned out to be much more lame than expected. And I did catch COVID after three years of avoiding the bloody thing, giving me further evidence that I should really stay the fuck home as much as possible.
(Which, to be fair, probably counts as my House Words.)
Point is, there’s been a bit on. And so with a meagre clutch of excuses, let’s get to the books I’ve been reading since I last graced your eyeballs.
(Mercifully, I’ve been doing a bit more reading which, if nothing else, makes me feel a bit better. YMMV, mind.)
Giving Homer’s Odyssey five stars would seem a foregone conclusion, right? I mean, it’s the second-oldest extant work of Western literature (homeboy Homer also created the first) and it’s pretty much the definition of an epic tale. It gave James Joyce the basis for Ulysses (though there’s much less wanking in this version) and is something about which more people know a little, even if they don’t know its exact provenance. Angry cyclops? Sirens? A decades-long return, hamstrung by gods being utter dickheads? C’mon.
It’s time for ghetto arsekickers, Italian-descent mobsters, the neon of gambling, the prick of the needle and the luck of the draw. It’s time for losers who think they’re winners, and winners who’ve got fuck-all. And it’s time for a briefcase of untraceable bullets.
Guess it’s time for another load of 100 Bullets then.
The second volume of selection from the manga series featuring battling gourmands steps it up a notch. Sure, the first one talked about Japanese food and what it means to consider Japanese cuisine, but this one not only has a more consistent storyline, but it’s also about something a lot of people would think is more important: booze.
I originally started reading the ebook of Whiteley’s enticingly strange The Beauty on my phone to fill in time between sets at a gig. The gig ended up being a bit of a wash, and so I found myself spending more time in the horror-ticultural (I know, right?) world created than in the land of beer and recapture-your-youth music, which is not really how I’d envisioned my Saturday night panning out.
It’s not logical, really, that someone in search of some light graphic novel reading should end up reading a book about serial killer Jeffrey Dahmer. You know, the guy who killed men and had sex with them. The Milwaukee Monster.
This guy. Yeah, you know the one. Somehow, I ended up thinking that reading something written by one of his friends was A Thing To Do in place of, I dunno, reading about muscled science freaks with superpowers. Continue reading “Book review: My Friend Dahmer”→
I know, I know. Only four stars. But it’s a classic! But it’s important! But it’s stuck around a lot longer than you have!
All of these things are true. And it’s really difficult to think of many reasons to not give the thing five stars, because when it comes to widescreen stories, Homeric narration is pretty much in a league of its own.
But.
The Iliad is, for all its importance, still something that would, if written in straight prose today, be interesting, but also strongly in need of an edit.
Chris Ware’s almost-autobiographical tale of a meek man and his familial foundering has been on my to-read list since it started winning a bunch of awards in 2001. I’m kind of glad I’m reading it now, because I’m not sure I would’ve had the emotional fortitude to survive it back then.
No, really. That’s who’s going to read it. I am not excepted from this number. I had watched the Story of Lol from afar, from his being jettisoned after Disintegration to his surprising (and a bit tearjerking) reappearance with the band for their Reflections gigs at the Sydney Opera House. I knew, more or less, the story of the band, but obviously the focus is generally on Robert Smith rather than ol’ Lol.