Giving Homer’s Odyssey five stars would seem a foregone conclusion, right? I mean, it’s the second-oldest extant work of Western literature (homeboy Homer also created the first) and it’s pretty much the definition of an epic tale. It gave James Joyce the basis for Ulysses (though there’s much less wanking in this version) and is something about which more people know a little, even if they don’t know its exact provenance. Angry cyclops? Sirens? A decades-long return, hamstrung by gods being utter dickheads? C’mon.
Crew: “Fuck you, Odysseus, we want to hear SirenFM too.”
I know, I know. Only four stars. But it’s a classic! But it’s important! But it’s stuck around a lot longer than you have!
All of these things are true. And it’s really difficult to think of many reasons to not give the thing five stars, because when it comes to widescreen stories, Homeric narration is pretty much in a league of its own.
The Iliad is, for all its importance, still something that would, if written in straight prose today, be interesting, but also strongly in need of an edit.
This book serves as a re-translation of an early Icelandic translation of Bram Stoker’s bitey classic, Dracula. The Icelandic version of the Count’s tale dropped in 1900, only two years after the first translation (into Hungarian), and is notable because there’s evidence – lovingly detailed in forewords, afterwords and footnotes – that Stoker was in touch with the Icelandic translator of the work, Valdimar Ásmundsson, founder of the newspaper Fjallkonan, providing information from draft versions of the English text to work with. (more…)