It’s time to descend, once more, into the world of noir. Bullets, broads, and a buttload of blood. But this is 100 Bullets so by this point in the collection, your squeamishness has either seen you tap out, or your enthusiasm has you fired up for what’s coming.
You know how sometimes you can leave a book on the to-read pile for a little too long?
How the excitement you had about reading the thing – the “Ooh! Can’t wait to get to that one!” anticipation – somehow becomes bigger than you’d intended, thus creating an expectation that the book can’t possibly surpass?
That’s me with Lovecraft Country. (more…)
It’s time for ghetto arsekickers, Italian-descent mobsters, the neon of gambling, the prick of the needle and the luck of the draw. It’s time for losers who think they’re winners, and winners who’ve got fuck-all. And it’s time for a briefcase of untraceable bullets.
Guess it’s time for another load of 100 Bullets then.
Ah, Murakami. My old buddy. Ole pal.
His works are among the first I came to when I began reading weirder literature, and so I feel great affection for him. I loved his strangeness, and then – later – I loved his plainer works, his more natural narratives. And perhaps, above all, his non-fiction titles.
And every time he puts out a new one, I snap it up. Because in each title is the kernel of hope that I’ll be dazzled the way I was when I first grabbed hold of The Wind-Up Bird Chronicle. Kind of akin to how I keep buying albums by bands I idolised in university, in the hope that their albums will spark the joy I’ve been seeking since undergrad days.
What would you do if you were cornered by a craggy-looking dude with a briefcase? A briefcase that’s meant for you? A briefcase that contains some papers, a pristine gun and a number of untraceable bullets? With the assurance that anything you did with those items would be completely free from legal consequence?
(I mean aside from whacking your most hated YouTube celebrity repeatedly.)
Walter Isaacson’s made no bones about his interest in genius. I mean, he’s written biographical surveys of Albert Einstein (undoubtedly), Benjamin Franklin (yep), Steve Jobs (well…) and, er, Henry Kissinger (ahem) among others. Now, he turns his gaze towards a guy who we normally gaze towards – well, his works, anyway. Leonardo da Vinci.
Ah stuff it. Ignore the terrible segue and look at this ripped geometric dude instead.
Whew, crisis averted. (more…)
Well, I guess it’s over.
This is the final volume of translated tales from Oishinbo. And what better way to end than with a beer and an attempt to teach an actor how to drink sake properly?
Oh, and some food created by a homeless gourmand? And some headhunting? And a relationship-fracturing food fight? And the choice of educational pathways? And the birth of some children? (more…)
We’re getting to the pointy end now. This is the penultimate volume of Viz’s collections of extracts from Oishinbo, and so it’s time for something subtle. Something both representative of Japan and its culture, and of hearth and home. Something to get excited about.
Something like rice.
I’d never read any Michael McDowell before cracking The Elementals. I’d seen some of his other work, unknowingly – he was the scriptwriter for Tim Burton’s Beetlejuice – and I’d seen that he was very well regarded by Stephen King, so I figured I might as well give it a shot.