Film and TV

2018 consumption: a look at some stuff I liked

Well shit.

I guess we’ve reached the point where, traditionally, I put up a post detailing what it is that’s taken my fancy in 2018. It’s become a bit of an annual thing, and far be it from me to disappoint the couple (?) of people who might nose through this thing in its entirety. So here we are: my wrap up of what’s been taking up my time.

Relatively accurate, though he swims more than I do.

Previous versions are herehere, here, here and here if you need an introduction.
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Movin’ on from Mubi

So, I’ve just cancelled my subscription to Mubi, the online streaming service that specialises in arthouse and foreign film. I’m a bit sad about leaving, as I’ve discovered some really good things on there – and been made to watch things I’d always meant to get around to – but increasingly I’ve been viewing it with more side-eye than anticipation. I’d like to say that the decision to exit was purely financial – there’s a house being built, after all – but it’s not quite that simple.

CHRIST NOT MORE CHRIS FUCKING MARKER.

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