I suppose this year hasn’t exactly been kind to my interpretation of, y’know, time, so it’s not a surprise that this has crept up on me. Anyway, for the benefit of me and the dick-pill spambots that flood my comments section, I guess it’s time to chunk out some words about things I liked this year.
As ever, I’m a bit uncertain as to why I do this. It feels like a bit of an indulgence, but I suppose it does allow me a bit of breathing space to look back at the year through the prism of entertainment and formulate some thoughts about it. Whether they’re any good is still up for debate, but before we get too deep in the ontological weeds, let’s get on with it.
Once more, it’s the point of the year where I write a usually-lengthy post about the things I’ve enjoyed this year. I write a bunch of stuff about the cultural bits and pieces I’ve consumed through the year and figure out what was good and what wasn’t, in the hope of providing something of a portrait of my entertainment consumption over the past twelve months.
I guess we’ve reached the point where, traditionally, I put up a post detailing what it is that’s taken my fancy in 2018. It’s become a bit of an annual thing, and far be it from me to disappoint the couple (?) of people who might nose through this thing in its entirety. So here we are: my wrap up of what’s been taking up my time.
Relatively accurate, though he swims more than I do.
It’s a nice reminder: two guitarists busily strumming away is a jam; a hundred playing for dear life is a fucking movement.
That quote is something I came across a couple of days ago. It’s Tristan Bath writing in The Quietus about A Secret Rose, a piece by Paris-based composer Rhys Chatham. The whole review is worth reading because it bears some resemblance to a piece I took part in, A Crimson Grail.
As Malcolm Young would have said, hit the bugger!
The piece, performed as part of this year’s Sydney Festival, is pretty enormous. An antiphonal piece, it generates a huge sound – though not as loud as you’d assume – with elements passing around the audience, who sit in the middle of the performance space. Players can’t really get a sense of how the whole works – not the way the audience can – because they’re so close to their particular section. But for those in the middle, it’s epic, to say the least. (more…)
When I was a teenager my parents and uncle delighted in calling me Gunna. Gunna Martin. At first, I thought this was kind of cool, because as a kid I’d loved a book called Drummer Hoff, but apparently it was Not A Good Thing.
Check out those cheekbones.
It was Not A Good Thing because it referred to my inability to do things in a timely fashion. Mowing. Picking up the dog shit. Cleaning my room. Homework. Anything that didn’t involve pissing time away, most likely. And so whenever anyone reached the point of extremity, out it came: Gunna Martin, that’s you. (more…)
WELL HERE IT IS. Once more it’s time for a recap on what I did during the year, stuffwise. Previous versions are here, here and here, if you need an origin story.
Once more, I’m unsure who would actually read this all the way through, given the self-indulgence herein, but don’t worry – I’ve found an image that reflects both the world’s 2016 and my thoughts on writing the thing.
Take that, ya lousy fuckin’ year. And you too, ya lousy fuckin’ typing guy.
This is because I’ve been moving house. I’ve moved out of the house I used to own, which I thought I’d live in for a long time. Obviously, a couple of years is a long time if you’re the kind of renter who moves (or is forced to move) every couple of months, but you’re forgetting that I’m a) a curmudgeon and b) a hobbit so I’m pretty fond of my holes.
I like holes. Comfy holes. With all the things. Where I know where they are!
Anyway, I’m typing this on a laptop in a room full of boxes and cat toys. That’s pretty much the whole house: cat toys and boxes. But it’s a new house I’m renting – a shopfront and flat upstairs, ensuring that I finally have discovered a Pulp cliche.
As part of an attempt to become more organised (and to eke more out of my hours) I’ve recently begun scheduling things I’d like to do. It’s not quite as cold as it sounds, and it affords me the ability to ensure I do things I like, but which often suffer in the throes of a Wikipedia hole or a TV Tropes vortex.
One of the things on my list is to read a poem a day. Every day. One poem. This is to counter the fact that though I like poetry, and though I spent four years at university reading books – some of which were made up of poems! – I still feel myself to be a low-watt bulb when it comes to poetry. It’s something I like, and have liked for a long time, but something I feel kind of stupid around, like I’ve turned up to a fancy restaurant in tracksuit pants. (more…)