First things first: this book is great and you should read it. I found it deeply enjoyable and odd in a a manner reminiscent of Fitzcarraldo: a story of absolutely genius/idiotic zeal.
Second things second: if you don’t read this review, at least read the Wikipedia description of the book because if it doesn’t make you want to read it, I just don’t know what to say to you.
Imperium is a 2012 satiric novel by the Swiss writer Christian Kracht. It recounts the story of August Engelhardt, a German who in the early 20th century founded a religious order in German New Guinea based on nudism and a diet consisting solely of coconuts. The fictionalized narrative is an ironic pastiche.
When I was a kid, I remember a lot was made of what-ifs. What if you could be invisible? What would you do? Where would you go? Where would you sneak to, in order to see things you weren’t supposed to.
Honestly, I don’t like to watch some things human beings do. But as you can imagine there’s no roof nor wall nor duck blind nor sheet nor wile that stands in the way of a god; unfortunately I must put up with all of it.
Take that idea, add an alpha and omega and you’ve got I Am God, a novel which features a God who, when He’s not reminding the reader of how powerful he is, spends his time observing a pigtailed atheist microbiologist who somehow has attracted His notice, despite Himself.
This is not a fun read. The novel, I mean. This review may be a fun read depending on how low your humour threshold is, but the novel definitely isn’t, in much the same way that Christos Tsiolkas’ The Jesus Man isn’t. That book sent me into a weeks-long depression after reading it, because I’d spent so much time in the company of thoroughly unlikeable characters. Same thing here.
Gerald Kersh is someone I’d wanted to read for a while. Harlan Ellison and Michael Moorcock were and are both fans, and the author seems to be one of those, like Poe or Dickens, who managed a hack’s volume, but also kept a remarkable quality.
You know, there’s not a great deal of point to reviewing something like The Outsiders. It’s the sort of work that’s become such a cultural touchstone – who hadn’t heard “stay gold” before reading this? – that it’s impossible to rank it. The score won’t change anyone’s mind, nor will it change the book’s reputation.
Still, in the spirit of trying to review everything I read in order to give some shape to my post-read feelings, I’ll give it a go.
This year, I moved a bit forward in time and read 54, set in 1954. It’s another creation by parts of Q‘s creative steering committee, except this time around they’re known as Wu Ming. Basically they’re a bunch of anonymous Bologna-based scribes who create playful pieces, which is just as well because their nom-de-plume is the Chinese phrase for anonymous.
The Plaguemightn’t have inspired a Cure song, but that doesn’t mean you should discount it. I mean, is it on the nose to be reading something with this title in 2020? It feels a little on the nose, but here I am, ploughing through Camus’s 1947 examination of the effects of bubonic plague on a city because frankly, there’s not much else to do in 2020 other than to try and avoid disease by any means necessary, as others seem hell-bent on playing chicken with it.
Ira Levin. You know the guy: novelist, playwright and the man whose stories became adapted into a dozen or so films, from Sliver to The Boys From Brazil. A jobbing writer, whose tight planning is a thing of wonder.
Nightmares is a collection of three of Levin’s novels in one book club-style hardback. It’s something that I came across in an op shop in a small town in the middle of the country, which is probably fitting because each of the stories are about people fitting in – or trying to fit in – to a community.
I’m not a Muslim – I’m not really religious in any meaningful way – but I’ve always had an interest in Islam. This interest is probably a mish-mash of things: the lingerings of Orientalist stories from my youth, and the fact that the belief seemed such a mystery to me.
I’ve lived in areas with plenty of Muslim neighbours, but I’ve not known much about what they believe. Certainly, there’s a lot of investment in the West in presenting the faith as the origin of Everything Wrong With The World, so it’s the sort of thing I’ve long had a niggling desire to get a better handle on. Because surely tabloids aren’t the best source of qualified comment on the religion, right?