Five volumes in and I guess we turn to the topic that kids aren’t excited about: veggies. Thankfully for me, broad beans are given a swerve, but there’s some good reps given to eggplant, a purple fiend I’m only sort of friends with.
I AM SHOUTING BECAUSE I AM IN LOVE WITH THIS TURNIP YOU SIMPLETON.
What I’m saying is that I guess it seems hard for readers – and for me – to be as wound-up excited to read a volume about greens when we’ve formerly had some great, in-depth knowledge shot at us from the Oishinbo food cannon. I was prepared for this to be a bit eh.
Thankfully, it’s not.
Pretty sure that guy on the right is related to that enthusiastic sommelier from a previous volume.
The consumption of food-based manga continues. After last volume’s night on the turps, it’s time for something a bit more filling – a bit more starchy. So this volume of Oishinbo a la carte fits the bill, given that it’s about ramen and gyōza: comfort food typified.
The second volume of selection from the manga series featuring battling gourmands steps it up a notch. Sure, the first one talked about Japanese food and what it means to consider Japanese cuisine, but this one not only has a more consistent storyline, but it’s also about something a lot of people would think is more important: booze.
I’m pretty surprised that the Masterchef crowd haven’t latched onto the long-running Oishinbo (The Gourmet) the way they’ve put boots on the ground for Gourmet Traveller. Perhaps it’s because there’s a loud-mouthed character in this seinen manga who’s perfectly willing to underscore their lack of culinary knowledge, rather than to foster their kitchen fantasies.
Tomie: Complete Deluxe Edition by Junji Ito.
My rating: 5 of 5 stars.
If someone hadn’t read any manga before, and you really wanted to fuck with them, you’d probably show them some Junji Ito. I mean if you wanted to warp them irreparably you’d throw them a bit of Suehiro Maruo – that’s a Wikipedia link, but I’d be leery of actually Googling the dude if you were at work – but if you just wanted to weird them out, it’d be Ito all the way. Because this is pretty much the initial reaction to his work:
So here we are, the penultimate Akira trade. Though there’s plenty of action, it can reasonably be said that this is the calm before the storm. Characters reappear and regroup, and the progression of both political jockeying and methods of government contingency ‘management’ is marked.
BUT. There’s still a lot of batshittery in here. I mean, did you ever gather in an arena with your raggedy-arse compatriots to watch the moon explode? Well?
So, you’ve probably seen the 1988 animated film with this name. You know, with motorcycles and a whole lot of screaming testosterone haircuts with axes to grind and heads to explode. And so you’re expecting this to be pretty much the same thing, right?
If there’s anything the manga-reading public can agree on, it’s that Junji Ito is one fucked-up dude. He’s a writer of horror manga, and is probably most famous for Uzumaki, a spiral-obsessed mind-fuck of popped eyeballs and extreme scoliosis. (I reviewed its three volumes here, here and here, if you’re still unsure about his oddity.)
His work is normally known for extreme violence and inventive ick and squick, so when I found out he’d written a series about cats – yep, cats – I figured I had to give it a go. (more…)
This review is brief, as there’s not really all that much I can add to my previous two reviews of this manga. This, the third volume, brings to a close the supernatural romance’s run, and leaves us with little more knowledge than when we began.
The problem with My Lovely Ghost KANA is that there’s not much of an overarching story. Guy meets ghostgirl, they drink beer and shag, and the background of neither is explained very well. (more…)