So after a bit of a break – a couple of these in a row is more than enough candy popcorn for anyone – I’m back into the world of imprisoned, superpowered teens, and the creepy overlords that love [to experiment on] them.
As expected, it’s more of the same. By which I mean INCREDIBLE VIOLENCE and some creepy fan service for boob-focused shut-ins.
Well, it’d seem I’m cutting through these collections the way prison-toilet wine cuts through intestinal lining. Time for some thoughts on another hilarious collection of lost moments from a horrific human research facility masquerading as a prison.
I’ve almost got it. Can you explain a little more, though?
Back on this again. Deadman Wonderland remains a decent break from more taxing literature, given that you’ll always be assured of some grimly violent fighting and some embarrassed-teen interchanges in ready supply.
And corpse biscuits. Don’t forget the corpse biscuits.
Frankenstein is a story that most people are familiar with. Whether you’ve read Shelley’s original or no, you’re probably aware of the general thrust of the story thanks to films modern and classic. You know: creation, exclusion, and that it’s his Dad’s name, not the monster’s. So what can be brought to another adaption of the work?
To be fair, there’s fuck-all else to do on an Arctic journey. Talk away, Vic.
I guess this volume is where the story decided to kick itself up a notch. Yes, we’re still in a prison masquerading as the world’s goriest version of It’s A Knockout!, but there’s some deeply mysterious shit going on. Rebels are introduced! There’s another big fight! Backstories are unveiled!
The scriptures look different in real life than on paper, I guess.
Oh, and that. Which, I’m sure, will be explained properly later. (more…)
I mean, I’ve come to read this manga after I’ve seen the anime. So I know more or less how the story goes.
But I’m interested to see what else there is on offer, knowing that adaptation can sometimes squeeze the life out of a property. I guess I was interested in seeing what more is hidden here. Because let me tell you, if you have no idea about this series, it’s a trip, involving inhuman murder, shady government research, weird blood-based powers, a fatal version of It’s a Knockout! and a fairly major character who may or may not be real.
Corpse Disposal Unit is an EXCELLENT band name.
Oh, and it all takes place in a devastated Tokyo, after an earthquake obliterated 70 per cent of the city. In a prison that also doubles as an amusement part, where death row prisoners die if they don’t get a ration of special candy.(more…)
We’re getting to the pointy end now. This is the penultimate volume of Viz’s collections of extracts from Oishinbo, and so it’s time for something subtle. Something both representative of Japan and its culture, and of hearth and home. Something to get excited about.