Frankenstein is a story that most people are familiar with. Whether you’ve read Shelley’s original or no, you’re probably aware of the general thrust of the story thanks to films modern and classic. You know: creation, exclusion, and that it’s his Dad’s name, not the monster’s. So what can be brought to another adaption of the work?
I guess this volume is where the story decided to kick itself up a notch. Yes, we’re still in a prison masquerading as the world’s goriest version of It’s A Knockout!, but there’s some deeply mysterious shit going on. Rebels are introduced! There’s another big fight! Backstories are unveiled!
Oh, and that. Which, I’m sure, will be explained properly later.
This review’s going to be pretty short. I mean, I could recap a bunch of what I said when I looked at the first volume, but let’s not do that, eh? It’s pretty safe to say that as we’re only on the second of thirteen total books that there’ll be a bit of confusion on the reader’s part.
I kind of know what happens here.
I mean, I’ve come to read this manga after I’ve seen the anime. So I know more or less how the story goes.
But I’m interested to see what else there is on offer, knowing that adaptation can sometimes squeeze the life out of a property. I guess I was interested in seeing what more is hidden here. Because let me tell you, if you have no idea about this series, it’s a trip, involving inhuman murder, shady government research, weird blood-based powers, a fatal version of It’s a Knockout! and a fairly major character who may or may not be real.
Oh, and it all takes place in a devastated Tokyo, after an earthquake obliterated 70 per cent of the city. In a prison that also doubles as an amusement part, where death row prisoners die if they don’t get a ration of special candy. (more…)
Well, I guess it’s over.
This is the final volume of translated tales from Oishinbo. And what better way to end than with a beer and an attempt to teach an actor how to drink sake properly?
Oh, and some food created by a homeless gourmand? And some headhunting? And a relationship-fracturing food fight? And the choice of educational pathways? And the birth of some children? (more…)
We’re getting to the pointy end now. This is the penultimate volume of Viz’s collections of extracts from Oishinbo, and so it’s time for something subtle. Something both representative of Japan and its culture, and of hearth and home. Something to get excited about.
Something like rice.
Five volumes in and I guess we turn to the topic that kids aren’t excited about: veggies. Thankfully for me, broad beans are given a swerve, but there’s some good reps given to eggplant, a purple fiend I’m only sort of friends with.
What I’m saying is that I guess it seems hard for readers – and for me – to be as wound-up excited to read a volume about greens when we’ve formerly had some great, in-depth knowledge shot at us from the Oishinbo food cannon. I was prepared for this to be a bit eh.
Thankfully, it’s not.(more…)
The consumption of food-based manga continues. After last volume’s night on the turps, it’s time for something a bit more filling – a bit more starchy. So this volume of Oishinbo a la carte fits the bill, given that it’s about ramen and gyōza: comfort food typified.
The second volume of selection from the manga series featuring battling gourmands steps it up a notch. Sure, the first one talked about Japanese food and what it means to consider Japanese cuisine, but this one not only has a more consistent storyline, but it’s also about something a lot of people would think is more important: booze.
Sake, to be specific.
I’m pretty surprised that the Masterchef crowd haven’t latched onto the long-running Oishinbo (The Gourmet) the way they’ve put boots on the ground for Gourmet Traveller. Perhaps it’s because there’s a loud-mouthed character in this seinen manga who’s perfectly willing to underscore their lack of culinary knowledge, rather than to foster their kitchen fantasies.