This is an older interview of mine, presented here for archival purposes. The writing is undoubtedly different to the present, and the review style may differ between publications. Enjoy, if thatโs the right word.
Originally published September 2004.
Thereโs a line in Peter Fentonโs debut solo album, In The Lovers Arms that accurately encapsulates its authorโs thoughts on songwriting. On opener ‘The Song People’, appears the refrain
Songโฆ Songโฆ Songโฆ
Itโs where youโve been
Itโs also pretty apt for where the artist is at in his life. Song is, in some ways, a transcript, a record of where youโve been. And for Fenton, itโs been quite a journey. In The Lovers Arms is the end result of recent ruminations on life, love and solitude, and itโs a welcome release.
The album is the singerโs first solo release since Crow โ the best fucked-off-with-life band of dark-eyed troubadours since Nick Cave stopped writing Latin on his chest and decided to keep his suit-jackets on โ imploded after the release of Play With Love in 1998. Since that time, heโs begun a career as an actor, and this album marks his return to the world of recording, after a period of disenchantment with the industry at large.
Thereโs two things to note about this return, too. Firstly, itโs a concept album. Secondly, itโs a product that makes the waiting worthwhile. Continue reading “Peter Fenton: In The Lovers Arms (2004)” →