His works are among the first I came to when I began reading weirder literature, and so I feel great affection for him. I loved his strangeness, and then – later – I loved his plainer works, his more natural narratives. And perhaps, above all, his non-fiction titles.
And every time he puts out a new one, I snap it up. Because in each title is the kernel of hope that I’ll be dazzled the way I was when I first grabbed hold of The Wind-Up Bird Chronicle. Kind of akin to how I keep buying albums by bands I idolised in university, in the hope that their albums will spark the joy I’ve been seeking since undergrad days. (more…)
What would you do if you were cornered by a craggy-looking dude with a briefcase? A briefcase that’s meant for you? A briefcase that contains some papers, a pristine gun and a number of untraceable bullets? With the assurance that anything you did with those items would be completely free from legal consequence?
DON’T FORGET TO SUBSCRIBE, MOTHERFUCKER.
(I mean aside from whacking your most hated YouTube celebrity repeatedly.) (more…)
Walter Isaacson’s made no bones about his interest in genius. I mean, he’s written biographical surveys of Albert Einstein (undoubtedly), Benjamin Franklin (yep), Steve Jobs (well…) and, er, Henry Kissinger (ahem) among others. Now, he turns his gaze towards a guy who we normally gaze towards – well, his works, anyway. Leonardo da Vinci.
Ah stuff it. Ignore the terrible segue and look at this ripped geometric dude instead.
You’d think someone so artistically significant would look a bit more enthused with his immortality.