This is an older review of mine, presented here for archival purposes. The writing is undoubtedly different to the present, and the review style may differ between publications. Enjoy, if that’s the right word.
First things first. …And This Is Our Music is an album created by people who’ll probably want to kick in the heads of reviewers everywhere. Scope out the liner-notes and you’ll see that self-serving critics make a list of people officially put on notice that they’re “Officially uninvited to our party!!!” – replete with three exclamation marks.
That’s not very hippie, is it? In fact, it probably qualifies as a freak-out, baby. But that’s fine, because the music recorded here overtakes any attitude-based party exclusions that The Brian Jonestown Massacre (Anton Newcombe, boss man and chief sonic wrangler) could hurl. (Of course, the fact that elsewhere in the same notes – couched in a track-by-track commentary, revealing musical inspirations, drug information and touching rave-ups of guest vocalists – lies a thoroughly shameless attempt to pick up BJM-fancying ladies weighs a little in their favour, too.) (more…)
Well, perhaps not over. They’re not saying that. Malcolm could well recover and come back to the stage, chunking out those riffs pretty much everyone knows so well. After all, it ishis band, no matter how much adulation the frontmen (and I’m a Bon guy all the way, thanks) or the hyperactive brother may receive. It’s Malcolm’s outfit, and he’s the power behind the juggernaut. But without him – well, it wouldn’t really be the same, would it? In the same way Mick Jagger admits that without Charlie Watts, there are no Stones, without Malcolm there really isn’t an AC/DC. (more…)