This Preacher trade is another favourite. It collects Blood and Whiskey, a Cassidy special, and issues 27-33 of the regular run. Together, they deepen the portrait we have of the series’ whiskey-swilling vampire, proving that there’s a little more to him than toothy comic relief. Continue reading “Book review: Preacher, Volume 5: Dixie Fried”→
Another day, another collection of Preacher issues. However, this one’s something of an oddity. It gathers together three one-shot specials: Saint of Killers, The Story of You-Know-You and Good Old Boys. There’s a lengthy introduction by series author, Garth Ennis, in which his love of cinema is apparent – which is convenient, as the volume contains an excellent riff on his favourite genre, the Western, as well as a not-so-great version of the ’80s action film. Continue reading “Book review: Preacher, Volume 4: Ancient History”→
The Preacher re-read rolls on. Proud Americans gathers issues 18 to 26 of the series and while it contains just as much blow-shit-up-while-making-knob-jokes stuff as the previous trades, it’s also one which deepens character and explores history, too. Spoilers ahead, most likely.
We begin as Jesse is en route to Paris, where he encounters Space, a Vietnam vet who has stories to share of John Custer. The previous collection’s story of Angelville told of the meeting of Jesse’s mother and father, but this one offers some insight into what sort of a man he was – traits which have rubbed off onto the son, in an exchange begun by an anti-Commie lighter. Continue reading “Book review: Preacher, Volume 3: Proud Americans”→
Until the End of the World, the second trade paperback in the Preacher series, gathers together issues 8-17 of the comic about the Texas padre with the Word of God in his skull, a failed-assassin girlfriend and an Irish vampire best mate. It’s also the trade wherein shit gets weird.
A title taken from Webster’s The White Devil? Oh, Randolph Stow, you shouldn’t have. It’s as if you want me to think this is a gory little chapbook of a thing.
I’ve just finished another Telltale series: their Game of Thrones tie-in adventure. And while I still have a special fondness for the first two series of The Walking Dead I have to say that I felt this game really nailed the source material. It feels canonical, which I suppose is understandable given the involvement of key cast members in its creation, as well as the dedication to the look of the show that’s apparent throughout. It also helps that George R. R. Martin’s personal assistant, Ty Corey Franck, was a consultant on the thing. Continue reading “Fiddling about with Forresters”→
In the lead-up to the AMC Preacher series I decided it was about time to reread the Ennis/Dillon comic series before I saw how it was transformed to fit television (and the updated time period). This will be a shorter review than normal as I’m keen to not reveal many spoilers, if possible.
This book collects issues 1-7 and their covers. We’re introduced to the main trio of characters, and given a bit of Big Apple adventure, but there’s the sense that the best is yet to come. This is a beginning, after all.
If you’ve not come across Preacher before, it’s pretty simple to categorise: it’s a dudes’ book. It’s all Texas and face-punching and murder and weird sex and uncomfortable gay jokes. It’s enjoyable, but it’s also kind of cringeworthy in some places, because it hasn’t necessarily aged particularly well. Continue reading “Book review: Preacher, Vol. 1: Gone to Texas”→
Well, this is day seven of seven. And I’ve gone with perhaps the most predictable choice for last: You Am I. Anyone who knows me from my university days knows that this was my band, and this song my jam. At that time of my life they were massively important. I don’t listen to them as much these days, but that’s OK: once you’ve heard as much as I have, it’s always sort of there.
This song is a classic of nerdy outsider anthems, and I’m not the only arts dick who thought it was kinda written for them.
I’m aware this is a bit of a cop-out, but I’ve written about this song before. I looked over my old blog post and it all rang true. Head over here to check it out. It expresses why I love this band in general, and this song in particular.
(There’s also some entries about my first own-bought guitar, a shitty car and more about night driving, which seems to be a theme in these posts.)
We’re entering the home stretch now: just today and tomorrow to go. (Well, maybe an additional day for non-Australian stuff, but hell.) So today I’d like to lay some more instrumental stuff on you: the band that sounds like Australia, to me, really. The band whose line in a) stage banter and b) grim weepers is pretty much without peer. The band who I’m always happy to see, despite knowing a serious bumming-out will occur at some point during their gigs. The band I have pushed upon people relentlessly, zealot-eyed because I know that they’re pretty much the best thing ever.
For day five of the ’90s Musical Memories challenge, I figured I’d go with something without words. It’s by a band who I discovered thanks to a tween magazine, and who generally make their work on the fly. The song I’ve chosen is fairly unique in the band’s catalogue as it comes from an album that’s both a soundtrack and a collection of short pieces. (They’re normally keen on disc-long tracks, so anything less than about 30 minutes is punk as fuck, as far as they’re concerned.)