Another three books (including one whopper) have passed through my eyeballs, so it’s time for another reading recap. I’m certainly finding it more enjoyable to chunk a couple of these together – I hope that’s better to read for you, too.
I’m feeling pretty good about how the reading has progressed so far this year. I’m making progress on my list, and haven’t really had a dud yet, so it’s a Good Year, at least as far as text goes. Sure, there’s still the 2020-2022 malaise thing happening, but turning the pages is keeping it at bay, at least so far.
I’ve read cards for a couple of decades now, though am very much an anti-woo stalwart. I like the narratives a reading can create, and about seeking meaning from the chance juxtaposition of some printed designs.
But, like most readers, I still feel there’s more I could be getting from the decks. I mean, I’m not a Papus or a Waite, and certainly not a Pollack. And so when the option came up to read a book on pathworking, I took it.
I have always been intrigued by tattoos, and perhaps a little afraid.
I think the first time I ever saw one that sticks in my memory is on an episode of Doctor Who: Jon Pertwee’s doctor is pictured, at the very start of the run, with a tattoo on his arm. I think it’s a question mark, a very Who thing to have – but I can’t be sure. At the time – and this was during my prime write-to-actors period – I think I felt it was a Pertwee tattoo: something that belonged to the actor even though I know he was playing a character.
(It’s a weird time, that – where you’re old enough to know that the person you think is cool on TV is just a grown-up pretending to be someone, but in fan letters and consumption you switch off that piece of knowledge, so that the person is really just Doctor Who foremost. Cognitive dissonance before I knew what it really was, maybe.)
Published to coincide with an exhibition of tarot art curated by the author, The Fool’s Journey sits in a weird position. It’s a little too complex to be just an exhibition catalogue, but it’s also too slender to be a fully-considered work on the tarot. (Place is a respected artist, tarot scholar and has written more lengthy works on the cards, lest it be thought I impugn his credentials as a well-researched writer.)
Part of the difficulty with the book is that I think it’s a little user-unfriendly, at least as far as the layout goes. It’s a larger-format book, which is excellent for the graphics, but the text pages are one-column and stretch the whole page, making navigation difficult and reading a little tiring. I believe it’s a self-published work – the publisher’s address appears to be the author’s – so that explains some of the errant typos that appear through the work. It’s not a deal-breaker, though it does knock the faith in the work a little.
The good, though, is the amount of graphical reproduction on hand. (more…)