Alan Moore

Going slow, now with added eldritch terrors and necromorph kerb-stomps

So it’s been a bit quiet here for a while. A lull, you might say.

I guess it’s time to wake up.

Awake? good.


Alan Moore and Tim Perkins: Angel Passage (2002)

Alan Moore and Tim Perkins: Angel Passage (re:)This is an older review of mine, presented here for archival purposes. The writing is undoubtedly different to the present, and the review style may differ between publications. Enjoy, if that’s the right word.

Angel Passage is an odd disc. It’s a studio reworking of a performance Moore and Perkins presented as part of the Tygers of Wrath concert, presented at the end of Tate Britain’s William Blake exhibition. And as such, it sits in no-man’s land; it’s not a run-of-the-mill spoken-word album, nor is it a cast-recording album. It’s a weird hybrid, like reading Moore’s meditation on Blake’s life while ghostly music that’s not quite separate floats through the air. Occasionally, it’s problematic — I just want to hear what he’s saying, dammit — but for the most part, it adds a well-judged air of mystery. (more…)