I’d been looking forward to reading this for a long time. I’d sweated on the ebook availability of Tricky’s autobiography, as it wasn’t clear if there’d even be one, and when I finally checked back and there was one, I hoped I wouldn’t be disappointed with the book.
(I mean, I was, but that’s unsurprising for an autobiography: they’re rarely the documents we desire.)
However this one begins as it means to go on:
My first memory is seeing my mum in a coffin, when I was four years old.
That’s a better opener than I’d any right to expect, so I was hooked.
Well, here we are. This is the final volume in Clive James’s Unreliable Memoirs series. It’s the fifth book wherein the éminence grise (or should that be éminence chauve?) describes his continued ascent through the land of the crystal bucket. With The Blaze of Obscurity, the Australian writer moves from being about the box to being mostly on it. It’s where shows began to be prefaced with his name, not just his image.
From now on, in this book, I will try to leave my name out of the title of the shows, thus to circumvent the twin fears of wasting space and sounding more than necessarily like a self-glorifying pantaloon.
This is one of those books – like Infinite Jest or Manufacturing Consent that I would’ve been much better off reading when it came out, or when I was in my 20s. (Whichever was earlier.)
Reading it today, I can only think that my mind would’ve been blown a lot more comprehensively if I’d encountered the ideas within before precision-strike ads and ‘unbranded’ clothing were such a part of daily life.
If you’ve read any Junji Ito before, you’ll be pretty aware of the sort of things you’re going to get in Shiver, a collection of his best work, gathered together and presented with brief commentary from the creepmaster himself.
If you’ve not read any Ito before, you might well want a stiff drink or a change of undies. ‘Cause shit’s going to get weird.
Until now, I’d never read a Bulgarian novel. I mean, knowingly. I’ve a couple of Canetti on my shelf, awaiting cracking, but until I checked out Wikipedia’s list of Bulgarian writers, I didn’t even know he was Bulgarian.
Nothing against Bulgaria, mind. It just hadn’t occurred to me. I know, I’m probably missing out on a lot. (more…)
I imagine this novel to take place in some kind of weird Mad Men universe. It’s that drinks-before-dinner, hired-help-run-the-show kind of world where there’s precise demarcation between what’s meant to happen and those it’s meant to happen to. Think of it like Upstairs, Downstairs only with Betty Draper and you’re probably about right.
Naturally, this clockwork world goes to shit the moment the titular character shows up. (more…)
Heading to a drought-stricken Wales in 1976 seems like a shitty holiday idea. It’s even shittier when you’re a 16-year-old girl accompanied by your family – a needy toddler, a sculptor father and a grieving, wasting mother – and eaten up by a dedication to something called The Creed.
You can tell things aren’t going to go well, and that’s before the village turns out to be, uh, none too friendly to outsiders. (more…)
This is a neat read from two writer-academics who’ve built careers in the gaming sphere. They’re passionate about what the form can be, and have both had buckets of shit tipped on them for daring to disagree with Gamergaters or – in van Deventer’s case – for daring to be a woman online.
It’s a tag-team affair, with both authors taking a shot at a selection of topics revolving around representation in gaming, and the entrenched mindset of producers and consumers alike. It’s written from a position of deep love for games, and a respect for gamers as something other than the basement-dwelling – and fallacious – stereotype. And it’s most importantly a work that realises that games are something that can bring us closer together while allowing voices other than those of cisgender white men to have a say. (more…)