I’m just back from a couple of days in Melbourne at the Supersense festival, and am kind of exhausted but mostly happy. So I figured while it was fresh I’d note some thoughts on the whole shebang.
Stage and stalls
The festival bills itself as an examination of the ecstatic experience, and that pretty accurately covers the couple of days I spent in the phone coverage-free bowels of Arts Centre Melbourne. Like other festivals it’s run to a timetable, sure. But this one saw performances enacted in familiar venues seen from unusual perspectives: foyers, rehearsal rooms and, notably, viewed from an enormous stage (and not the stalls). Throughout, I saw and heard a dedication to pushing music somewhere that transcends the idea of mere performance – sometimes unsuccessfully, but often brilliantly.
My interview with composer and multi-instrumentalist Oren Ambarchi (whose records are ace) has been published at Cyclic Defrost. Here’s an excerpt:
“I’m chasing a feeling I get from some of my favourite musics. Something that’s transporting, otherworldly. Ecstatic free sound. I’m searching for something that is almost unknown to me, until I find it, that is. Some kind of beauty.
“I know it when I find it. Somehow everything falls into place – hopefully – at a certain point. I’m happy for this to take a while, so it’s a journey.
“There is some perfectionism but I’m trying not to be too anal about it all. I don’t want to suck the life out of it from refining, refining, refining. It still needs to retain a rawness, an unpredictability. There’s a fine line there, and I have to watch it.”