When I first read Crime and Punishment in my late teens, I was surprised at how accessible I found the text. I’d been led to believe that Russian literature was, to a word, turgid and overblown – not to mention depressing. Imagine my surprise when I found that the straitened world of Raskolnikov was intriguing and compelling. It was a revelation, and opened me up to a lot of literature I’d not previously considered.
This time around, I was surprised at how much more lively the text appears when viewed through the lens of a more recent translation. And how much deeper the book appears – and how differently I viewed parts of it – after an extra 20 years of life. (more…)
I guess if one was looking for a literary bummer with which to pass the time, Klotsvog would fit the bill. It’s a story, written by a Ukraine-born Muscovite, about an indefatigably solipsistic woman who sheds partners and children like Kleenex.
“You, Mayechka, are made from a different dough. Like matzo. Unleavened and hard.”
There’s more to it than that – her awfulness, her awareness of social standing and her denial of her Jewish roots are clear commentaries on Stalinist purges and on the difficulty of life both during and after the second world war. But foremost is the portrait of Maya Abramovna Klotsvog: a woman who believes she is smarter and better than everyone else, but who also, apparently, doesn’t give a fuck who she irritates in the pursuit of her desires. (more…)
So, I could be a bit dim. I mean, I didn’t pursue philosophy at university beyond first year, so Shi Tiesheng’s 156-chapter stream-of-consciousness journey through life, the universe and everything – by painstakingly recounted way of Soderbergh’s Sex, Lies and Videotape – might be just be something that’s rocketing over my head, satellite style, shooting across the heavens leaving a trail of profundity that I’ll never grasp, dullard that I am.