My review of The House In The Woods’ Bucolicahas been published over at Cyclic Defrost. I liked it so much I actually bought my own copy before I’d even finished writing the review.
The principle of Bucolica appears to be obfuscation; snatches to gain orientation. ‘Untitled Blackniss’ is the sound of waiting, as something large and mechanised – accompanied by the pan-pipes of the damned – comes. ‘Dark Lanterns’ offers a feast of winds and pregnant statis, while ‘Favershell’ is a soundtrack to a procession of the devotees of Dagon, heard from a few streets over. You can hear something either excellent or fucked is occurring just over there – but you’re uncertain you need to see it. It’s not going to make you feel any better, is it?
“I actually like it, it does everything I want a word processing program to do and it doesn’t do anything else. I don’t want any help. I hate some of these modern systems where you type a lower case letter and it becomes a capital letter. I don’t want a capital. If I wanted a capital, I would have typed a capital. I know how to work the shift key.”
I was pleased to note that George R. R. Martin (whose mammoth tomes I’ve just begun to read) is fervent about something other than wearing that cap. He is one of a dying breed – the DOS user! More particularly, he uses WordStar to crank out his lengthy bestsellers. Not for him the (now Clippy-free) white screens of Microsoft Word or its free replacements. He eschews the fancy writer-friendly face of Scrivener. Instead, he spends hours facing this:
Nice. Of course, this isn’t the first time he’s mentioned this method of working. This LJ update provides more information on his working process, most notably this: