He just drives. The guy. Here. Driver. Just drives. We know this because it’s his name – he has no other. Having one name is badass, having no name (and a gritty backstory) is superbadass and generally an indicator that you’re at the intersection of pulp and noir.
James Sallis’s slight novel is wonderful. It’s economical, but sprinkled with ten-buck words. It’s a world away from the sci-fi that began his career, and though it’s a modern work, seems to be written under the influence of the best sort of taut technique: Thompson and Cain, say. Interlocking jobs (criminal or otherwise) and lives, none of them pristine, tell a largely criminal narrative, though without any sort of opprobrium. If anything, the action taking place in the Hollywood sun say just that This Is How It Is, and nothing more. It’s nihilism with better catering. (more…)