So during the hell year of 2020 I ended up watching the Met Opera’s Ring Cycle while avoiding, y’know, everything. I’d wanted to see Wagner’s cycle, and once it was done, hours later, I was keen to see where the story had come from.
First mistake: though the opera series shares names and themes, this version is a lot different. I mean, I’m not certain it’s been adopted by Nazis as readily as Wagner’s work has been, and there was a lot less in the way of either modernist stark staging or rabbits or horseback.(more…)