I studied economics for a couple of years in high school. I did not study it particularly well, nor did I remember very much.
The sum total of my economic knowledge is the term stagflation, and I only remember this because it sounds like antlers with a boner. That, and the fact that Ross Gittins wore Dunlop KT26s when he delivered my year’s economic update before the HSC. Two facts, you’ll agree, that stand me in good stead for understanding the economy as a whole.
HSC students gonna know what I mean.
This is the background with which I read Freakonomics, a collection of chapters loosely corralled together under the guise of making data answer interesting questions (such as why sumo wrestlers might cheat) instead of boring ones (involving GDP and the like). (more…)
Well, it’d seem I’m cutting through these collections the way prison-toilet wine cuts through intestinal lining. Time for some thoughts on another hilarious collection of lost moments from a horrific human research facility masquerading as a prison.
I’ve almost got it. Can you explain a little more, though?
Back on this again. Deadman Wonderland remains a decent break from more taxing literature, given that you’ll always be assured of some grimly violent fighting and some embarrassed-teen interchanges in ready supply.
And corpse biscuits. Don’t forget the corpse biscuits.
I guess this volume is where the story decided to kick itself up a notch. Yes, we’re still in a prison masquerading as the world’s goriest version of It’s A Knockout!, but there’s some deeply mysterious shit going on. Rebels are introduced! There’s another big fight! Backstories are unveiled!
The scriptures look different in real life than on paper, I guess.
Oh, and that. Which, I’m sure, will be explained properly later. (more…)
I mean, I’ve come to read this manga after I’ve seen the anime. So I know more or less how the story goes.
But I’m interested to see what else there is on offer, knowing that adaptation can sometimes squeeze the life out of a property. I guess I was interested in seeing what more is hidden here. Because let me tell you, if you have no idea about this series, it’s a trip, involving inhuman murder, shady government research, weird blood-based powers, a fatal version of It’s a Knockout! and a fairly major character who may or may not be real.
Corpse Disposal Unit is an EXCELLENT band name.
Oh, and it all takes place in a devastated Tokyo, after an earthquake obliterated 70 per cent of the city. In a prison that also doubles as an amusement part, where death row prisoners die if they don’t get a ration of special candy.(more…)
You know how sometimes you can leave a book on the to-read pile for a little too long?
How the excitement you had about reading the thing – the “Ooh! Can’t wait to get to that one!” anticipation – somehow becomes bigger than you’d intended, thus creating an expectation that the book can’t possibly surpass?
Walter Isaacson’s made no bones about his interest in genius. I mean, he’s written biographical surveys of Albert Einstein (undoubtedly), Benjamin Franklin (yep), Steve Jobs (well…) and, er, Henry Kissinger (ahem) among others. Now, he turns his gaze towards a guy who we normally gaze towards – well, his works, anyway. Leonardo da Vinci.
Ah stuff it. Ignore the terrible segue and look at this ripped geometric dude instead.
You’d think someone so artistically significant would look a bit more enthused with his immortality.
We’re getting to the pointy end now. This is the penultimate volume of Viz’s collections of extracts from Oishinbo, and so it’s time for something subtle. Something both representative of Japan and its culture, and of hearth and home. Something to get excited about.